George L. Mosse Prize
The American Historical Association awards the George L. Mosse Prize annually for an outstanding major work of extraordinary scholarly distinction, creativity, and originality in the intellectual and cultural history of Europe since 1500. This prize was established with funds donated by former students, colleagues, and friends of Dr. Mosse. The general rules for submission are:
- Only books of a high scholarly distinction should be submitted. Research accuracy, originality, and literary merit are important selection factors.
- Books with an imprint of 2014 are eligible for the 2015 award.
- Nominators must complete an online prize submission form for each book submitted.
- One copy of each entry must be sent to each committee member and clearly labeled “Mosse Prize Entry.” Electronic copies may be sent only to committee members who have indicated they will accept them.
Please Note: Entries must be postmarked or transmitted by May 15, 2015, to be eligible for the 2015 competition. Entries will not be returned. Recipients will be announced at the January 2016 AHA annual meeting in Atlanta.
For questions, please contact the Prize Administrator.
Contact Information for Committee Members
|Celia S. Applegate||Brad S. Gregory||Allyson M. Poska|
|Vanderbilt Univ.||1114 N. Notre Dame Ave.||Univ. of Mary Washington|
|Dept. of History||South Bend, IN 46617||Dept. of History and American Studies|
|PMB 351802||1301 College Ave.|
|2301 Vanderbilt Pl.||Fredericksburg, VA 22401|
|Nashville, TN 37235-1802||Will accept Kindle submissions|
2014 Mosse Prize
Derek Sayer, Lancaster Univ.
Prague, Capital of the Twentieth Century: A Surrealist History (Princeton Univ. Press)
In a scintillating challenge to more conventional narratives of twentieth-century Europe and indeed to ways of writing history, this book positions Prague’s distinctive artistic and intellectual achievements as a “prehistory of postmodernity.” Set against the city’s recurrent and often brutal political dislocations, with vast erudition that incorporates the literature, music, arts, and architecture of Prague’s cultural avant-garde from before World War I through the Velvet Revolution, this study is as conceptually bold as it is impressively learned.